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Une présentation de la vie et de l'oeuvre de Bruegel accompagnée d'une réflexion et une méditation sur la peinture, la beauté, lʹart, lʹécriture. ©Electre 2015
Bruegel, Pieter [Elder] --- Painters --- Painting, Flemish --- Peintres --- Peinture flamande --- Biography --- Biographies --- Bruegel, Pieter,
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This book represents the first comprehensive study of all the fifteenth-century Flemish paintings in Los Angeles, including those in the J. Paul Getty Museum, the Los Angeles County Museum of Art, the Norton Simon Museum of Art (Pasadena) and the Henry E. Huntington Library and Art Gallery (San Marino). It examines well-known masterpieces by Dirk Bouts, Gerard David, and Hans Memling as well as little-known works, some published here for the first time. Using the latest advances in technical studies, including weave density maps, it reveals new insights. Beautifully designed and lavishly illustrated with numerous color illustrations, this volume joins a series of exhaustive studies of early Netherlandish paintings that was begun shortly after the second world war.
Painting --- anno 1400-1499 --- Flanders --- Painting, Flemish --- Peinture --- Peinture flamande --- Catalogs --- Catalogues --- Musées --- Histoire --- Museums --- California --- Los Angeles (Calif.) --- Painting [Flemish ] --- 16th century --- Criticism and interpretation --- 15th century --- Painting [Gothic ] --- Belgium --- Histoire. --- Catalogs.
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This book challenges many of the assumptions about Jheronimus Bosch and Pieter Bruegel the Elder. The academic contest to unravel these two has never abated. What exactly is the meaning of their work is one of art history's blood sports. The answer lies in the cultural relationship between the artwork and its audience. Both artists demonstrate social, economic and political resonances in paintings that are numbingly familiar yet still poorly understood. There is social, religious, and political motivation in their art, an art that is frequently described in art historical isolation. For Bosch the image was a morality play about the paucity of good in a world teeming with evil monsters. For Bruegel it was frequently a reference to political events. Far from producing puzzle pictures they were assembling knowledge as part of a visual culture that was central to the life of society. It relates to the knowledge of the world at a particular time and two artists' experiences of it. It stretches from the sexuality and spirituality of Bosch to secular satisfaction in Bruegel at a time of social upheaval and a great turning point of world history, the beginning of the modern world and the end of the Middle Ages.
Painting --- Bosch, Jeroen --- Bruegel, Pieter [Elder] --- Painting, Dutch --- Painting, Flemish --- Peinture hollandaise --- Peinture flamande --- Bosch, Hieronymus, --- Bruegel, Pieter, --- Criticism and interpretation --- kunstgeschiedenis --- Bosch, Jheronimus --- Brueghel, Pieter (de Oude) --- 15de eeuw --- 16de eeuw --- 75 BOSCH, HIERONYMUS --- 75 BRUEGEL, PIETER --- 75 <491> --- Schilderkunst--BOSCH, HIERONYMUS --- Schilderkunst--BRUEGEL, PIETER --- Schilderkunst--?<491> --- 75 <491> Schilderkunst--?<491> --- 75 BRUEGEL, PIETER Schilderkunst--BRUEGEL, PIETER --- 75 BOSCH, HIERONYMUS Schilderkunst--BOSCH, HIERONYMUS --- Painting, Dutch - 16th century - Criticism and interpretation --- Painting, Flemish - Criticism and interpretation --- Bosch, Hieronymus, - -1516 - Criticism and interpretation --- Bruegel, Pieter, - approximately 1525-1569 - Criticism and interpretation --- Criticism and interpretation. --- kunstgeschiedenis. --- Bosch, Jheronimus. --- Bruegel, Pieter I. --- 15de eeuw. --- 16de eeuw. --- Vlaamse school --- Bosch, Hieronymus, - -1516 --- Bruegel, Pieter, - approximately 1525-1569 --- Bruegel, Pieter I
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